Tag archieven: Mississippi University Press

Trenton Bailey – Driftin’ on a Memory The Isley Brothers

Trenton Bailey Driftin’ on a Memory The Isley Brothers review, recensie en informatie boek over de Amerikaanse funk en soulgroep. Op 17 november 2025 verschijnt bij Mississippi University Press het boek over the Isley Brothers geschreven door Trenton Bailey. Een Nederlandse vertaling van het muziekboek is niet verkrijgbaar.

Trenton Bailey Driftin’ on a Memory The Isley Brothers review en recensie

  • “Driftin’ on a Memory: Celebrating Seventy Years of The Isley Brothers is an extraordinary achievement in Black music history and cultural scholarship. With precision and passion, the book chronicles the remarkable career of The Isley Brothers, gifted artists whose sound has defined generations of art and sound in the late twentieth century and early twenty-first century, and whose legacy is inseparable from the broader story of African American resilience, innovation, and artistry. From gospel roots to global acclaim, Trenton Bailey captures the social context, cultural impact, and broader meaning of The Isleys, situating their artistry and creativity within the struggles, triumphs, and transformations of African American life and the broader American society. This book is more than a biography; it is a cultural document that honors the depth of Black creativity while reminding us why The Isleys’ music remains timeless. Essential reading for scholars, fans, and anyone who has an appreciation that rhythm and soul are part of the heartbeat of history.” (Reynaldo Anderson, associate professor of Africology and African American studies at Temple University)

Trenton Bailey Driftin' on a Memory The Isley Brothers

Driftin’ on a Memory

Celebrating Seventy Years of The Isley Brothers

  • Auteur: Trenton Bailey (Verenigde Staten)
  • Soort boek: muziekboek
  • Taal: Engels
  • Uitgever: Mississippi University Press
  • Reeks: American Made Music Series
  • Verschijnt: 17 november 2025
  • Omvang: 277 pagina’s
  • Uitgave: paperback / gebonden boek
  • Prijs: $ 25,00 / $ 110,00
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van het boek over de band the Isley Brothers

The first authoritative treatment of musicians who tallied platinum records and hit singles over six different decades.

In Driftin’ on a Memory: Celebrating Seventy Years of The Isley Brothers, Trenton Bailey tells the story of this groundbreaking musical act. The Isley Brothers began recording as a vocal trio consisting of the brothers O’Kelly Isley Jr., Rudolph Isley, and Ronald Isley in the 1950s. They have covered a wide range of genres, including gospel, doo-wop, rock ‘n’ roll, R&B, the Motown sound, funk, and disco, and their music has been sampled by numerous hip-hop artists. The Isley Brothers achieved their first hit, “Shout,” in 1959 and have reached the Billboard Hot 100 Songs chart with new music in six different decades, from the 1950s to the 2000s.

The brothers experienced their golden age from 1973 to 1983 with the addition of three younger brothers. With three instrumentalists, including composer and arranger Chris Jasper, The Isleys became a self-contained band and released a string of platinum albums. Over the years, The Isley Brothers have adapted the group, adding and losing members over time, but have always included a brother. Today, Ernie and Ronald Isley are still performing, keeping The Isley Brothers a household name and remaining a serious force in pop culture. The remarkable longevity of The Isley Brothers has solidified their status as one of America’s most influential musical groups.

Trenton Bailey is a historian from Memphis, Tennessee, who currently resides in Atlanta, Georgia. An honors graduate of Morehouse College, he earned his PhD in humanities with a concentration in African American studies from Clark Atlanta University. Bailey has taught courses in African history, African American history, world history, and funk music, specifically. He was coordinator for the Morehouse Oral History Project and has done extensive research on the history of Morehouse College. Bailey is a member of Alpha Phi Alpha Fraternity, Inc. and various organizations related to Black American life and culture. He is author of Do You Remember? Celebrating Fifty Years of Earth, Wind & Fire, published by University Press of Mississippi.

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Steven C. Bowie – Concerto for Cootie

Steven C. Bowie Concerto for Cootie review, recensie en informatie biografie van de jazztrompettist Cootie Williams. Op 17 november 2025 verschijnt bij Mississippi University Press de biografie van Cootie Williams, geschreven door Steven C. Bowie. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Steven C. Bowie Concerto for Cootie review en recensie

Als er in de media een boekbespreking, recensie of review verschijnt van Concerto for Cootie, The Life and Times of Cootie Williams, geschreven door Steven C. Bowie, dan besteden we er op deze pagina aandacht aan.

Steven C. Bowie Concerto for Cootie

Concerto for Cootie

The Life and Times of Cootie Williams

  • Auteur: Steven C. Bowie (Verenigde Staten)
  • Soort boek: biografie, jazzmuziekboek
  • Taal: Engels
  • Uitgever: Mississippi University Press
  • Reeks: American Made Music Series
  • Verschijnt: 17 november 2025
  • Omvang: 277 pagina’s
  • Uitgave: paperback / gebonden boek
  • Prijs: $ 35,00 / $ 120,00
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van de de biografie Cootie Williams de Amerikaanse jazztrompettist

The first full-length biography of a true giant of jazz.

Jazz legend Cootie Williams left home to start his career as a professional musician at the age of fifteen. In 1940, after eleven years as one of the major soloists with the Duke Ellington orchestra, Williams was lured away to the band of Benny Goodman, one of the most popular bands in the country. At the time, it was a controversial move—it was still taboo for African Americans to share the bandstand with white people. Current references to the move usually reduce it to a song written by Raymond Scott, “When Cootie Left the Duke.” In reality, it was a seismic event. The Black press predicted Black bands would collapse from raids on their ranks. White musicians were afraid they would be put out of work. And the white press stirred up visions of Black musicians mixing with white women in the new landscape of integrated orchestras.

The twenty years trumpeter Williams spent as a band leader (1942-1962) have been covered in only the barest of details. His involvement in politics and the civil rights movement have not been detailed before. An astute talent scout, Williams and his band launched the careers of Eddie “Cleanhead” Vinson, Earl “Bud” Powell, Eddie “Lockjaw” Davis, and Pearl Bailey. He also was the first to record the music of a young Thelonious Monk, using two of Monk’s compositions (“Epistrophy” and “‘Round Midnight”) as theme songs for his band.

Steven C. Bowie respectfully tells Williams’s story, from his Alabama ancestry onward, including many new details rediscovered from the historical archives of the African American press and those gleaned from the author’s interviews with his friends and colleagues.

Steven C. Bowie curates and hosts the Duke Ellington-themed podcast Ellington Reflections. He has presented papers on Cootie Williams and Kenny Burrell for conferences held by the Duke Ellington Society of Sweden and written articles for DownBeat and Jazz Improv magazines.

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Gillian Kelly – Ray Milland

Gillian Kelly Ray Milland review, recensie en informatie biografie van de auteur en filmregisseur uit Wales. Op 15 oktober 2025 verschijnt bij Mississippi University Press de biografie van Gillian Kelly. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Gillian Kelly Ray Milland review en recensie

  • “Ray Milland: Identity, Stardom, and the Long Climb to ‘The Lost Weekend’ is a welcome addition to scholarship on film stardom, especially in addressing the somewhat neglected realm of what Kelly terms the ‘second level studio luminaries’ and Milland’s role in supporting female stars like Lamour, Colbert, and Goddard at Paramount. With an excellent and detailed discussion of performance, image, and masculinity, this volume has the potential to reach a wide readership.” (Michael Williams, professor of film at University of Southampton)

Gillian Kelly Ray Milland

Ray Milland

Identity, Stardom, and the Long Climb to The Lost Weekend

  • Auteur: Gillian Kelly
  • Soort boek: biografie, filmbook
  • Taal; Engels
  • Uitgever: Mississippi University Press
  • Verschijnt: 15 oktober 2025
  • Omvang: 288 pagina’s
  • Uitgave: paperback / gebonden boek
  • Prijs: $ 30,00 / $ 110,00
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van de biografie van Ray Milland de Welsh acteur en filmregisseur

A comprehensive study of one Welsh actor’s image and performance in Hollywood’s Golden Age.

Ray Milland (1907–1986) was the inaugural Welshman to win the Best Actor Academy Award, as well as a performer boasting a rich and varied oeuvre from the silent era in 1920s Britain to New Hollywood in the 1980s. Despite being one of the most prolific actors in cinema history who left behind a legacy of almost 180 film and television appearances across seven different decades, Milland remains a somewhat forgotten figure of cinematic history. Ray Milland: Identity, Stardom, and the Long Climb to “The Lost Weekend” fills this void in scholarship by offering a detailed examination of Milland as one of Hollywood’s most durable and fascinating performers of the studio era.

The volume begins by exploring Milland’s unique Welsh identity in Hollywood, which was essentially erased by the studios. It then turns to his underexplored early career at MGM prior to signing with Paramount Pictures, where he remained for over two decades. Author Gillian Kelly discusses his early roles as a stereotypical “Brit” in Hollywood as well as his “stardom years” at Paramount where he often provided support for the studio’s leading ladies, including Claudette Colbert, Dorothy Lamour, and Paulette Goddard. A chapter is dedicated to his Oscar-winning performance in The Lost Weekend, and important later films like Dial M for Murder and Love Story also receive detailed analysis. Overall, Ray Milland provides a reappraisal of Milland’s earlier career and situates his performances within the broader tradition of star studies.

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Julie Dash Interviews

Julie Dash Interviews review, recensie en informatie boek over de Afro-Amerikaanse filmmaakster, samengesteld door Kameelah L. Martin. Op 15 oktober 2025 verschijnt bij Mississippi University Press het boek met interviews met Julie Dash de Afro-Amerikaanse filmregisseur. Het is een nieuw deel in de reeks Conversations with Filmmakers. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Julie Dash Interviews review en recensie

Als er in de media een boekbespreking, recensie of review verschijnt van het boek Julie Dash, interviews, samengesteld door Kameelah L. Martin, dan besteden we er op deze pagina aandacht aan.

Julie Dash Interviews

Julie Dash Interviews

  • Samensteller: Kameelah L. Martin (Verenigde Staten)
  • Soort boek: filmboek, interviews
  • Taal: Engels
  • Uitgever: Mississippi University Press
  • Reeks: Conversations with Filmmakers
  • Verschijnt: 15 oktober 2025
  • Uitgave: paperback / gebonden boek
  • Prijs: $ 25,00 / $ 110,00
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van het boek met interviews met Julie Dash de Afro-Amerikaanse filmregisseur

An in-depth exploration of the life, career, and creative processes of one of the most groundbreaking filmmakers in American cinema.

This collection of interviews with Julie Dash (born 1952) offers an in-depth exploration of the life, career, and creative processes of one of the most groundbreaking filmmakers in American cinema. Dash, whose landmark film Daughters of the Dust (1991) became the first feature by an African American woman to receive a wide theatrical release in the United States, has continuously pushed the boundaries of cinematic representation, exploring African American history, culture, and identity through a distinctly poetic and visionary lens.

Dash’s use of Black feminist narrative and her ability to supplant the status quo of Black women’s representation in cinema aligned with the evolution of Black women’s writing and visual arts that exploded in the eighties and early nineties. Starting with her debut film Illusions (1982) and touching upon other works such as Praise House (1991), the eighteen interviews collected in this volume weave together the stylistic integrity and unconventional model of storytelling that Dash thoughtfully midwives into existence. Julie Dash: Interviews will put students, scholars, and admirers of Dash’s oeuvre in close proximity to her creative thought process and influences as well as make accessible an archive of conversations in which she discusses the longevity of her career, intergenerational shifts, and the reception of her work across the globe.

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