Categorie archieven: filmboek

Cameron Crowe – The Uncool

Cameron Crowe The Uncool review and information about the memoir of the American film director and music writer. Simon & Schuster will publish the autobiographical book by Cameron Crowe, on October 28, 2025. Here you can read information about the content of the book, the author and the publication.

Cameron Crowe The Uncool reviews

  • “We know his voice: the journalist/adventurer, the cinematic novelist, and now with The Uncool the raconteur of his own literary self. He sculpts and weaves the events of his experience into scenes and language that often turn into something like a manifesto. He talks to us like he’s talking to us. Many centuries ago, he instructed me and Owen Wilson about an early cut of our unformed first film: ‘Your movie has a rock sensibility. Don’t fight it. It will serve you.’ On the screen (and stage) and on the page: his clarity of observation and memory, his choice words, his people—Cameron Crowe, wonderfully, continues to serve us.” (Wes Anderson)
  • “Cameron has written a book that feels like music, an intimate souvenir, like a song you can’t stop listening to.” (Stevie Nicks)
  • “A delicious tale of a devotee who worships at the altar of rock and roll. From the jittery reverence that comes with the first taste of backstage to the intimate thrill of the post-show motel room, this is a story for every kid who’s ever dreamed a dream and dared to watch it all come true. It’s about the friends you make and the memories that linger long after the credits roll. It’s a love letter to fandom, sealed with Cameron’s trademark sincerity and heart.” (Maggie Rogers)

Cameron Crowe The Uncool

The Uncool

A Memoir

  • Author: Cameron Crow (United States)
  • Book type: memoir
  • Publisher: Simon & Schuster
  • To be released: 28 oktober 2026
  • Length: 336 pages
  • Format: hardcover / ebook / audiobook
  • Prize: $ 35.00 / $ 16.99 / $ 25.99
  • Order book from: Amazon 

Blurb of the memoir by Cameron Crowe

The long-awaited memoir by Cameron Crowe—one of America’s most iconic journalists and filmmakers—The Uncool is a joyful dispatch from a lost world, a chronicle of the real-life events that became Almost Famous, and a coming-of-age journey filled with music legends as you’ve never seen them before.

Cameron Crowe was an unlikely rock and roll insider. Born in 1957 to parents who strictly banned the genre from their house, he dove headfirst into the world of music. By the time he graduated high school at fifteen, Crowe was contributing to Rolling Stone. His parents became believers, uneasily allowing him to interview and tour with legends like Led Zeppelin; Lynyrd Skynyrd; Bob Dylan; Crosby, Stills, Nash & Young; and Fleetwood Mac.

The Uncool offers a front-row ticket to the 1970s, a golden era for music and art when rock was young. There’s no such thing as a media junket—just the rare chance a young writer might be invited along for an adventure. Crowe spends his teens politely turning down the drugs and turning on his tape recorder. He talks his journalism teacher into giving him class credit for his road trip covering Led Zeppelin’s 1975 tour, which lands him—and the band—on the cover of Rolling Stone. He embeds with David Bowie as the sequestered genius transforms himself into a new persona: the Thin White Duke. Why did Bowie give Crowe such unprecedented access? “Because you’re young enough to be honest,” Bowie tells him.

Youth and humility are Crowe’s ticket into the Eagles’ dressing room in 1972, where Glenn Frey vows to keep the band together forever; to his first major interview with Kris Kristofferson; to earning the trust of icons like Gregg Allman and Joni Mitchell, who had sworn to never again speak to Rolling Stone. It’s a magical odyssey, the journey of a teenage writer waved through the door to find his fellow dreamers, music geeks, and lifelong community. It’s a path that leads him to writing and directing some of the most beloved films of the past forty years, from Fast Times at Ridgemont High and Say Anything… to Jerry Maguire and Almost Famous. His movies often resonate with the music of the artists he first met as a journalist, including Tom Petty and the Heartbreakers, the Who, and Pearl Jam.

The Uncool is also a surprisingly intimate family drama. If you’ve seen Almost Famous, you may think you know this story—but you don’t. For the first time, Crowe opens up about his formative years in Palm Springs and pays tribute to his father, a decorated Army officer who taught him the irreplaceable value of the human voice. Crowe also offers a full portrait of his mother, whose singular spirit helped shape him into an unconventional visionary.

With its vivid snapshots of a bygone era and a celebration of creativity and connection, this memoir is an essential read for music lovers or anyone chasing their wildest dreams. At the end of that roller-coaster journey, you might just find what you were looking for: your place in the world.

Cameron Crowe was born July 13, 1957 in Palm Springs, California. He became Rolling Stone’s youngest-ever contributor as a fifteen-year-old high school graduate, going on to conduct all-time best interviews with the likes of Bob Dylan, David Bowie, Elton John, Neil Young, Joni Mitchell, Led Zeppelin, the Eagles, Fleetwood Mac, and the Who. Crowe is also an acclaimed filmmaker who has written and directed films including Fast Times at Ridgemont HighSay Anything…SinglesJerry MaguireVanilla Sky, and Almost Famous (for which he won the Academy Award for Best Original Screenplay). He wrote the definitive book on the work of writer-director Billy Wilder, Conversations with Wilder. Crowe is currently at work on a film based on the life and music of Joni Mitchell. He has three children and lives in Southern California.

Matching books

Abel Ferrara – Scene

Abel Ferrara Scene review and information memoir of the American film director. Simon & Schuster will publish the autobiographical book by filmmaker Abel Ferrara, on October 21, 2025. Here you can read information about the content of the book, the author and the publication.

Abel Ferrara Scene reviews

Whenever a review of Scene, the memoir of the American film director Abel Ferrara, appears in the media, we will pay attention to it on this page.

Abel Ferrara Scene

Scene

A Memoir

  • Author: Abel Ferrara (United States)
  • Book type: memoir
  • Publisher: Simon & Schuster
  • To be released: 21 oktober 2026
  • Length: 272 pages
  • Format: hardcover / ebook / audiobook
  • Prize: $ 29.00 / $ 14.99 / $ 19.99
  • Order book from: Amazon / Bol

Blurb of the memoir by film director Abel Ferrara

A kaleidoscopic memoir by acclaimed filmmaker Abel Ferrara, director of the cult classic films Bad Lieutenant, King of New York, and Dangerous Game, offering an unflinching look at his life, career, and the gritty world of independent cinema.

Throughout his five-decade career, film director Abel Ferrara—now in his seventies—has been one of cinema’s most provocative and critically revered figures. Since beginning as an independent filmmaker in Manhattan in the early 1970s—before “indie films” were a genre—and refining his craft as a director for the TV show Miami Vice, he has directed more than thirty feature films, most notably the cult classics Bad Lieutenant, King of New York, and Dangerous Game.

His work, often controversial for its depictions of sex, violence, and drugs, has been praised for its sincerity and depth, with critics noting that his films take spirituality and morality more seriously than most films do. In Scene, Ferrara opens up about the inspiration for his creativity detailing his dramatic life journey, from his rough upbringing in the 1950s Bronx to reaching the pinnacle of his career while struggling with addiction. This memoir is not just a recounting of his life but a manifesto on what it means to be a true artist—one who refuses to compromise and continues to create boundary-pushing work.

Scene is a profound, beautiful, and inspiring account of an artist’s relentless pursuit of creativity, making it a must-read for film fans and anyone interested in the gritty realities of the entertainment industry.

Abel Ferrara was born on July 19, 1951 in New York City. He is a critically acclaimed film director. Some of his cult classic works include Bad LieutenantKing of New York, and Dangerous Game. He lives in Rome.

Matching books

Heather Hendershot – Nashville

Heather Hendershot Nashville review, recensie en informatie boek over de speelfilm uit 1975 van de Amerikaanse regisseur Robert Altman. Op 16 oktober 2025 verschijnt Bloomsbury Publishing in de British Film Institute reeks het boek van Heather Hendershot over het muziekdrama Nashville 1975 van de Amerikaanse filmregisseur Robert Altman. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Heather Hendershot Nashville review en recensie

Als er in de media een boekbespreking, recensie of review verschijnt van Nashville, het boek van Heather Hendershot met een analyse van de speelfilm uit 1975 van Robert Altman, dan besteden we er op deze pagina aandacht aan.

Heather Hendershot Nashville

Nashville

  • Auteur: Heather Hendershot (Verenigde Staten)
  • Soort boek: filmboek
  • Taal: Engels
  • Uitgever: British Film Institute
  • Verschijnt: 16 oktober 2025
  • Omvang: 104 pagina’s
  • Uitgave: paperback
  • Boek bestellen bij: Amazon / Bol

Flaptekst van het boek over de Robert Altman film Nashville

Robert Altman’s Nashville (1975) is simultaneously an intimate film about interpersonal connection and disconnection, and a sprawling, meandering portrait of American societal exhaustion in the wake of Vietnam, Watergate and a spate of political assassinations. Despite its pessimistic, satirical viewpoint, the film suggests a carefully guarded optimism: ‘life may be a one-way street’, but one has no choice but to ‘keep a’ goin’.

Heather Hendershot places Nashville in the context of the New Hollywood of the 1970s, which offered a post-censorship anti-hero, the perennial loser. Embracing the new pessimism, Altman’s work fits with those of contemporaries such as Martin Scorsese and Peter Bogdanovich, but it also stands apart for its innovative sound design, improvisatory drive, and loose genre commitments.

Through a close reading of the five days over which the film takes place, Hendershot unpacks both its political dynamics and the characters’ interrelationships and motivations. She highlights Nashville’s criticism of the suffering of its female characters, an engagement that springs from Joan Tewkesbury’s screenplay, Altman’s sensitivity to gendered exploitation (here, if not in all of his pictures), and the role the performers themselves played by improvising and scripting some of their own material.

Bijpassende boeken

Gillian Kelly – Ray Milland

Gillian Kelly Ray Milland review, recensie en informatie biografie van de auteur en filmregisseur uit Wales. Op 15 oktober 2025 verschijnt bij Mississippi University Press de biografie van Gillian Kelly. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Gillian Kelly Ray Milland review en recensie

  • “Ray Milland: Identity, Stardom, and the Long Climb to ‘The Lost Weekend’ is a welcome addition to scholarship on film stardom, especially in addressing the somewhat neglected realm of what Kelly terms the ‘second level studio luminaries’ and Milland’s role in supporting female stars like Lamour, Colbert, and Goddard at Paramount. With an excellent and detailed discussion of performance, image, and masculinity, this volume has the potential to reach a wide readership.” (Michael Williams, professor of film at University of Southampton)

Gillian Kelly Ray Milland

Ray Milland

Identity, Stardom, and the Long Climb to The Lost Weekend

  • Auteur: Gillian Kelly
  • Soort boek: biografie, filmbook
  • Taal; Engels
  • Uitgever: Mississippi University Press
  • Verschijnt: 15 oktober 2025
  • Omvang: 288 pagina’s
  • Uitgave: paperback / gebonden boek
  • Prijs: $ 30,00 / $ 110,00
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van de biografie van Ray Milland de Welsh acteur en filmregisseur

A comprehensive study of one Welsh actor’s image and performance in Hollywood’s Golden Age.

Ray Milland (1907–1986) was the inaugural Welshman to win the Best Actor Academy Award, as well as a performer boasting a rich and varied oeuvre from the silent era in 1920s Britain to New Hollywood in the 1980s. Despite being one of the most prolific actors in cinema history who left behind a legacy of almost 180 film and television appearances across seven different decades, Milland remains a somewhat forgotten figure of cinematic history. Ray Milland: Identity, Stardom, and the Long Climb to “The Lost Weekend” fills this void in scholarship by offering a detailed examination of Milland as one of Hollywood’s most durable and fascinating performers of the studio era.

The volume begins by exploring Milland’s unique Welsh identity in Hollywood, which was essentially erased by the studios. It then turns to his underexplored early career at MGM prior to signing with Paramount Pictures, where he remained for over two decades. Author Gillian Kelly discusses his early roles as a stereotypical “Brit” in Hollywood as well as his “stardom years” at Paramount where he often provided support for the studio’s leading ladies, including Claudette Colbert, Dorothy Lamour, and Paulette Goddard. A chapter is dedicated to his Oscar-winning performance in The Lost Weekend, and important later films like Dial M for Murder and Love Story also receive detailed analysis. Overall, Ray Milland provides a reappraisal of Milland’s earlier career and situates his performances within the broader tradition of star studies.

Bijpassende boeken

Wheeler Winston Dixon & Gwendolyn Audrey Foster – A Short History of Films

Wheeler Winston Dixon & Gwendolyn Audrey Foster A Short History of Films review, recensie en informatie boek over de filmgeschiedenis. Op 14 oktober 2025 verschijnt bij Rutgers University Press de geheel vernieuwde editie van het boek over de geschiedenis van de film. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Wheeler Winston Dixon & Gwendolyn Audrey Foster A Short History of Films review en recensie

  • “This excellent introduction stands out in a crowded field with its lively, accessible writing, broad coverage, and particular focus on traditionally marginalized figures in film history. . . . Illustrations abound, and even the best-versed cineaste will find new films to track down after reading the breezy, enthusiastic analysis in this book. Highly recommended for all collections.” (Library Journal)
  • “The authors touch all the bases—they address new trends in international moviemaking, technologies, and critical theory and the emergence of new national and ethnic cinemas—and relate film history to social history … Each new technique, style, school, trend, and newly visible ethnic or feminist group takes its place in the larger history, and Dixon and Foster make it all accessible to the neophyte reader without ever breaking the pace. Uncommonly well-reproduced stills and a topically organized bibliography enhance the discussion … Highly recommended.” (Choice)

Wheeler Winston Dixon & Gwendolyn Audrey Foster A Short History of Films

A Short History of Films

  • Auteur: Wheeler Winston Dixon, Gwendolyn Audrey Foster (Verenigde Staten)
  • Soort boek: filmboek, filmgeschiedenis
  • Taal: Engels
  • Uitgever: Rutgers University Press
  • Verschijnt: 14 oktober 2025
  • Omvang: 592 pagina’s
  • Uitgave: paperback / ebook
  • Prijs: $ 44,95
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst boek over de filmgeschiedenis

This updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. Succinct yet comprehensive, with more than 250 rare stills and illustrations, this edition provides new information on contemporary horror, comic book, and franchise films; issues surrounding women and minority filmmakers; the effects of the COVID-19 pandemic on movies worldwide; the shift from film to digital production; the rising use of artificial intelligence in cinema; and the impact of streaming on the industry.

Beginning with the precursors of moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer-generated imagery of the present day. They detail significant periods in world cinema, including the creation of early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. They also highlight independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States.

Compact and easily readable, this is a vital history of international cinema is a one-stop resource for students, teachers, and general readers alike.

Wheeler Winston Dixon is the James Ryan Professor Emeritus of Film Studies at the University of Nebraska–Lincoln. He is the author of many books, including A History of Horror (Rutgers University Press), and an internationally known experimental filmmaker.

Gwendolyn Audrey Foster is Willa Cather Professor Emerita of Film Studies at the University of Nebraska–Lincoln. She is an award-winning experimental filmmaker and a prolific author.

Bijpassende boeken

Julie Dash Interviews

Julie Dash Interviews review, recensie en informatie boek over de Afro-Amerikaanse filmmaakster, samengesteld door Kameelah L. Martin. Op 15 oktober 2025 verschijnt bij Mississippi University Press het boek met interviews met Julie Dash de Afro-Amerikaanse filmregisseur. Het is een nieuw deel in de reeks Conversations with Filmmakers. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Julie Dash Interviews review en recensie

Als er in de media een boekbespreking, recensie of review verschijnt van het boek Julie Dash, interviews, samengesteld door Kameelah L. Martin, dan besteden we er op deze pagina aandacht aan.

Julie Dash Interviews

Julie Dash Interviews

  • Samensteller: Kameelah L. Martin (Verenigde Staten)
  • Soort boek: filmboek, interviews
  • Taal: Engels
  • Uitgever: Mississippi University Press
  • Reeks: Conversations with Filmmakers
  • Verschijnt: 15 oktober 2025
  • Uitgave: paperback / gebonden boek
  • Prijs: $ 25,00 / $ 110,00
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van het boek met interviews met Julie Dash de Afro-Amerikaanse filmregisseur

An in-depth exploration of the life, career, and creative processes of one of the most groundbreaking filmmakers in American cinema.

This collection of interviews with Julie Dash (born 1952) offers an in-depth exploration of the life, career, and creative processes of one of the most groundbreaking filmmakers in American cinema. Dash, whose landmark film Daughters of the Dust (1991) became the first feature by an African American woman to receive a wide theatrical release in the United States, has continuously pushed the boundaries of cinematic representation, exploring African American history, culture, and identity through a distinctly poetic and visionary lens.

Dash’s use of Black feminist narrative and her ability to supplant the status quo of Black women’s representation in cinema aligned with the evolution of Black women’s writing and visual arts that exploded in the eighties and early nineties. Starting with her debut film Illusions (1982) and touching upon other works such as Praise House (1991), the eighteen interviews collected in this volume weave together the stylistic integrity and unconventional model of storytelling that Dash thoughtfully midwives into existence. Julie Dash: Interviews will put students, scholars, and admirers of Dash’s oeuvre in close proximity to her creative thought process and influences as well as make accessible an archive of conversations in which she discusses the longevity of her career, intergenerational shifts, and the reception of her work across the globe.

Bijpassende boeken

Ride: The Most Iconic Wheels of the Silver Screen

Ride The Most Iconic Wheels of the Silver Screen review, recensie en informatie boek over de beroemdste auto’s uit de film. Op 14 oktober 2025 verschijnt bij TRA Publishing het boek Ride, geschreven door Chad Oppenheim, Chris Nashawaty en Matt Stone en met een voorwoord van Jay Leno. Er is geen Nederlandse vertaling van het boek verkrijgbaar.

Ride: The Most Iconic Wheels of the Silver Screen review en recensie

Als er in de media een boekbespreking, recensie of review verschijnt van Ride, het boek over de meest iconische auto’s uit de film, dan besteden we er op deze pagina aandacht aan.

Ride The Most Iconic Wheels of the Silver Screen

Ride

The Most Iconic Wheels of the Silver Screen

  • Auteurs: Chad Oppenheim, Chris Nashawaty, Matt Stone
  • Voorwoord: Jay Leno
  • Soort boek: autoboek, filmboek
  • Taal: Engels
  • Uitgever: TRA Publishing
  • Verschijnt: 14 oktober 2025
  • Omvang: 604 pagina’s
  • Uitgave: gebonden boek
  • Prijs: € 56,95
  • Boek bestellen bij: Amazon / Bol / Libris

Flaptekst van het boek over de meest iconische boeken uit de film

Buckle up for a wildly entertaining, richly informative, and visually stunning look under the hood of the most indelible cars and motorcycles ever captured on celluloid.

Goldfinger’s Aston Martin DB5… Bullitt’s Mustang GT 390… Thelma & Louise’s ’66 Ford Thunderbird convertible… are just three of the thirty-five iconic silver-screen dream machines featured in RIDE. These vehicles are characters in their own right and every bit as stylish and sexy as their famous flesh-and-blood costars. Whether they’re stealing scenes, saving the day, or just peeling away from Johnny Law in a cloud of dust, the on-screen cars and motorcycles in these pages are the reason why many of us first went—and continue to go—to the movies. 

A loving tribute to the machines that made the movies, RIDE is a stunningly designed and boldly opinionated collectors’ keepsake packed with fresh interviews with famous car aficionados like Jay Leno, Stephen King, Michael Bay, NASCAR legend Jeff Gordon, and many more. Featuring a fast-and-furious feast of gorgeous photography, immersive maps and illustrations, and insider commentary, RIDE tells the stories behind the stories of some of Hollywood’s most celebrated films, including The Spy Who Loved Me, Mad Max, Vanishing Point, Christine, The Dark Knight, Easy Rider, and so many more.

Bijpassende boeken

Arsenio Hall – Arsenio

Arsenio Hall Arsenio review and information of the memoir by the the American comedian, actor and TV host. Atria/Black Privilege Publishing will publish the Portia Elan debut novel, on April 7, 2026. Here you can read information about the content of the book, the author and the publication.

Arsenio Hall Arsenio review

Whenever a book review of Arsenia Hall’s memoir appears in the media, we will highlight it on this page.

Arsenio Hall Arsenio

Arsenio

A memoir

  • Author: Arsenio Hall, Alan Eisenstock (United States)
  • Book type: memoir
  • Publisher: Atria, Black Privilege Publishing
  • To be released: April 7, 2026
  • Length: 320 pages
  • Format: hardcover / ebook / audiobook
  • Prize: $ 30.00 / $ 15.99 / $19.99
  • Order book from: Amazon / Bol

Blurb of the memoir by Arsenio Hal the comedian and actor

Arsenio Hall, America’s beloved late-night TV host, reveals the ups and downs of his remarkable career as a trailblazing pioneer with this behind-the-scenes, star-studded, no-holds-barred memoir of celebrity, race, and show business.

Arsenio Hall holds a uniquely prominent place in American culture—celebrated late-night host and comedic actor, famed for starring roles in the cultural touchstones Coming to America and Harlem Nights.

Now, he pulls back the curtain and takes us to a different time in Hollywood. Iconic scenes include: starting out as a young magician in Cleveland; hosting his first talk show in the basement of his apartment building when he was in elementary school; cutting his teeth at the world-famous Comedy Store in Hollywood, learning about comedy and life from legendary comedian Richard Pryor; forming lifelong bonds with legendary icons Muhammad Ali, Luther Vandross, Sammy Davis, Jr., and Eddie Murphy; tasting superstar success with Coming to America, the film that preceded The Arsenio Hall Show; conducting unforgettable, groundbreaking interviews with Magic Johnson, Bill Clinton, Tupac Shakur, Maya Angelou, Madonna, and Minister Louis Farrakhan; rescuing a family from a home-fire with Jay Leno; sharing hot sauces and blackjack with Patti LaBelle; and chilling with Prince.

And then, he made the difficult decision to walk away.

This bracingly candid memoir offers a new appreciation for this raw talent and gifted storyteller, who nightly, for six years, hosted what felt like a televised “party” that changed the landscape of late-night television and brought Black culture into living rooms across America.

With this book, he does it one more time.

Arsenio Hall was born February 12, 1956 in Cleveland, Ohio. He is a comedian, talk show host, producer, writer, and actor. He was the nation’s most renowned Black late-night talk show host with The Arsenio Hall Show and has appeared in the beloved films Coming to America and Harlem Nights.

Matching books

Suzanne Ferriss – Greta Gerwig

Suzanne Ferriss Greta Gerwig review and information book about the American film director. Edinburgh University Press will publish the book about Greta Gerwig, Filmmaker written by Suzanne Ferriss, on March 31, 2026. 

Suzanne Ferriss Greta Gerwig reviews

Whenever a review of Gerta Gerwig, Filmmaker, written by Suzanne Ferriss, appears in the media, we will pay attention to it on this page.

Suzanne Ferriss Greta Gerwig

Greta Gerwig

Filmmaker

  • Author: Suzanne Ferriss (United States)
  • Book type: monograph  of the film director
  • Publisher: Edinburgh University Press
  • To be released: 31 March 2026
  • Length: 216 pages
  • Format: paperback / ebook
  • Prize: $ 24.95
  • Order book from: Amazon / Bol

Blurb of the book about Greta Gerwig the American film director and actress

Examines the cinematic vision and worldview of director, Greta Gerwig.

This is the first book to consider Gerwig as a writer-director. It argues that her three feature films to date—Lady Bird (2017), Little Women (2019) and Barbie (2023)—engage with debates about feminism and femininity through cinematic aesthetics. Her films are linked by heightened attention to material culture—through costume, production and set design.

They meticulously recreate imagined worlds that resonate with viewers in the present for what they have to say about identity and relationships in contemporary culture, particularly how our lives, especially those of women, are fashioned through clothing, décor and architecture. They feature women who rebel by fashioning independent lives as fabricators—those who shape their worlds rather than being shaped by them. Considered together, Gerwig’s three features form a developing oeuvre tracing the contours of feminist refashioning.

Suzanne Ferriss was born in 1962 in the United States. She is an emeritus professor at Nova Southeastern University. Her publications include two volumes on the cultural study of fashion, On Fashion and Footnotes: On Shoes, and two companion volumes on “chick culture”: Chick Lit: The New Woman’s Fiction and Chick Flicks: Contemporary Women at the Movies. In addition to editing The Bloomsbury Handbook to Sofia Coppola, she is the author of The Cinema of Sofia Coppola: Fashion, Culture, Celebrity and the BFI Film Classics volume on Lost in Translation.

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Inela Selimović – The Cinema of Paula Markovitch

Inela Selimović The Cinema of Paula Markovitch review and information book about the Argentinian film director. Edinburgh University Press will publish the book about Paula Markovitch written by Inela Selimović, on October 30, 2025. 

Inela Selimović The Cinema of Paula Markovitch reviews

Whenever a review of The Cinema of Paula Markovitch, Contested Marginality, written by Inela Selimović, appears in the media, we will pay attention to it on this page.

Inela Selimović The Cinema of Paula Markovitch

The Cinema of Paula Markovitch

Contested Marginality

  • Author: Inela Selimović
  • Book type: monograph of the film director
  • Publisher: Edinburgh University Press
  • To be released: 30 oktober 2025
  • Length: 216 pages
  • Format: paperback / ebook
  • Prize: $ 24.95
  • Order book from: Amazon / Bol

Blurb of the book about Paula Markovitch the Argentinean film director

A study of the intersection between marginality and sensescapes in Paula Markovitch’s films.

The Cinema of Paula Markovitchinvestigates the director’s explorations of differently marginalized dwellers and their sensescapes as a vital feature of her oeuvre. By inviting the viewer into the socioemotional layers of homeless sites, hospice-like spaces, assisted-suicide intersubjectivities, and political displacements, Markovitch revitalizes the complexity of the margins in novel and expansive ways. Such dynamically intertwined socioemotional and sensory engagements at and with the margins are conceptualized in the book as contested marginality. This concept refers to the complexly interpersonal and ostensibly unanticipated manifestations of agentic potential through sensory experiences in peripheric sites and circumstances. Such aesthetic considerations of the margins also bring to light fecund modes for broader sociocultural critiques in Markovitch’s films.

Inela Selimović is Associate Professor of Spanish in the Spanish and Portuguese Department at Wellesley College. Selimović authored Affective Moments in the Films of Martel, Carri, and Puenzo (2018) and co-edited The Feeling Child: Affect and Politics in Latin American Literature and Film (2018).

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